- DIFFERENCE BETWEEN THE WAVES SSL E CHANNEL AND G CHANNEL SERIES
- DIFFERENCE BETWEEN THE WAVES SSL E CHANNEL AND G CHANNEL TV
These rackmount signal processing units are all direct descendants of the renowned XL9000K consoles, re-engineering the Superanalogue technology into a form better suited for use with high-resolution DAWs. The only problem is the relatively large cost of such a beast, combined with a changing music production process that increasingly tends not to require large consoles for recording anymore, and sometimes not for mixing either! With that in mind, SSL have finally responded to what has been a very long-standing request from many of its customers (and potential customers) - to harvest the technology and superlative quality of the Superanalogue console and offer its elements in the form of compact outboard units.Īs a result, SSL introduced four XLogic products at AES 2003 in New York a few months ago. The latest and most sophisticated consoles are the new C100 and C200 models for on-air broadcast and post-production roles.īut for many, the heart of the company remains its big music consoles, with the Superanalogue XL9000J and the latest XL9000K consoles defining the ergonomic and sonic peak of the analogue audio industry.
DIFFERENCE BETWEEN THE WAVES SSL E CHANNEL AND G CHANNEL SERIES
On the digital side, the Screensound system pioneered non-linear audio for video post-production, and was followed with the Scenaria and Omnimix, and then the A series - Axiom, Aysis, Avant, and Axiom MT.
DIFFERENCE BETWEEN THE WAVES SSL E CHANNEL AND G CHANNEL TV
The company has also been very active in the audio for film and TV sound industries, initially producing a range of multi-format analogue broadcast and post-production consoles, such as the SL5000, SL6000 and the latest SL8000G. The last twenty years have seen many significant advances in music console design, including SSL's bespoke Ultimation moving-fader automation system, and one of the first digital audio network systems, Soundnet. The company's first big in-line studio desk was the SL4000B launched way back in 1977, but it was the release of the E series, with its revolutionary Total Recall facility, in 1981 that started the almost total global domination of the SSL console. until now! SSL's new all-in-one recording channel boasts preamplification, EQ and dynamics from the awesome XL9000K mixing console, but at a price to which mere mortals can realistically aspire.Īsk anyone to name some of the major mixing console manufacturers and you can place a safe bet that Solid State Logic will come up very early in the list. The circuits are band limited (on purpose) to 10Hz to 80Khz on a 9000J and 10Hz to 120KHz on a 9000K.Few audio companies have the reputation of Solid State Logic, but their premium equipment has remained beyond the reach of all but the wealthiest home-studio owners. SSL calls this technology “Superanalogue”. On the 9000, no capacitors are used throughout the audio path.
The 9000 J and K-Series (the J was released first in 1995) SSL consoles had a similar user layout, but very different internals. Roughly around 2000 of these consoles were made. The different revisions add up to create slightly different flavours. You could fit an early E with some late G-Series cards and vice versa. The Channel Dynamics were kept pretty much the same from E all the way through to the G+, the only difference being different versions of the VCA-Chip.ġ000s of changes where made between 1979 (first 4000 E) and 2002 (last 4000 G+ delivered which is now located in Atlanta/USA). When they started calling it G-Series, it had the 292 G-EQ first, but after a while, on clients demands, most G-Series went back to the 242 EQ from the E-Series or a mix of both. They changed that and shortly after replaced the 02 EQ with the classic „black“ 242 EQ where the filters could be switched out completely.
The early E-Series had the „brown“ 02 EQ on which the filters were at first always switched in, cutting extreme low and high end. The 4000 has 4 mix busses (2 x Stereo, or Left/Right/Center/Surround), the 6000/8000 have 6 or 8 hence and were developed for TV/Film-Mixing. The E-Series was gradually developed into the very similar 4000 G (1987) and G+ (1993) while 6000 E and G and also 8000 G and G+ were added along the line. Then came the 4000 E (introduced in 1979), their „classic“ console which changed mixing forever.